Affluent Savvy
Photo: Anthony DeRosa
The number nine is often associated with a divine connotation in the mystical thought and religions across the globe from ancient times. There is both, negativity and positivity in this mysterious nine! Not to talk of the numeral 9, which is often cited as a 'lucky number' for many these days!
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The simple yet scientifically proven Wealth DNA method laid out in the report allows you to effortlessly start attracting the wealth and abundance you deserve.
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The simple yet scientifically proven Wealth DNA method laid out in the report allows you to effortlessly start attracting the wealth and abundance you deserve.
Learn More »The ‘Hasya rasa' or mirth is supposed to be white in colour and Pramata is the deity; Lord Rudra presided over ‘Roudra rasa' or fury whose colour was justifiably red! ‘Karunya' or compassion /mercy had Yama ruling over it with grey as its colour; Lord Shiva was the deity for ‘Bhibatsa' or disgust depicted by the colour blue. The emotion of fear ‘Bhayanaka' was ruled by the deity Kala whose colour is black. Lord Indra represented ‘Veera rasa' or valour (saffron) while ‘Adbhuta' or wonder had creator Brahma as its deity and yellow representing the emotion. There is no denying that later, ‘Vatsalya' (parental love) and ‘Bhakti' (devotion) also came to be adopted as important emotions in the scheme of artistic expression. The classical treatise in dance also speaks of the mood or bhava evoked in these nine rasa like: rati (love), hasya (laughter), shoka (sorrow), krodha (anger), utsaha (exuberance), bhaya (scare), jugupsa (disgust) and vismaya (wonder). The theory of navarasa forms the aesthetic underlining of all forms of Indian classical dance. In music, ragas like Kunthalavarali evoke fun and frolic (Hasya rasa) while ragas like Mohana emanate Veera rasa. The popular Mayamalavagowla is synonymous with Kaarunya (Karuna rasa) while certain ragas like Dwijavanthi, Behag, Kamas or Kapi are innately romantic (Shringara) not to talk of the lyrical compositions wherein the bhava/mood is explicit. The so-called artistic expressions owe their source to nature. For instance, the navarasa manifestation can be seen in the moods of the sea which can roar angrily at one time, run still and calm the very next, get into a frenzy at times, play around with its rippling waves steadily as it kisses our feet and so on.
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